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Saturday, November 9, 2019

Chinese culture Essay

William Faulkner once said that â€Å"The past is not dead. In fact, it’s not even past† and he could have speaking about the history of porcelain painting in China. The history of this ancient art lives and breathes in every porcelain plate we touch and eat off of. It lives and breathes in the small villages in China which cling to the past as much as they want to move into the future. We reach the beautiful of city of Yi-xing in the early morning hours. Early enough that the streets were empty and the sun was just peaking through the rows and rows of tea leaves. The blend of organic green and sandy orange reminded me of the beaches of California I had visited at a child. The city of Yi-ing is the home of several tea plantations which stretch as far as the eye can see. During the day the rows of teas are cluttered with the presence of severals humans which look out of place in the purely green surroundings. If you head south through the beautiful mountains, which look more like hills to me, you reach a deep and clear lake. This lake, Lake Taihu, is where Lu Yu once lived when he wrote his now infamous book about the magic of tea and it’s role in Chinese culture. Tea porcelain are intimately linked in Chinese culture. Each competing with the other to see which is older and more valued. Upon a close examination of the history it is hard to separate the two. The Chinese Porcelain factory sits on the far edge of the city of Yi-ing and is a striking contrast to the hills and valleys that lay in front of it and beyond it. It is interesting to see the coupling of industrialization and farming in a country which in some places seems oddly untouched by civilization and in other devastated by the pollution from manufacturers and cars. The story of Chinese Porcelain is one of perseverance and beyond that of innovation. Chinese ceramic and porcelain reveal the resourcefulness of Chinese artisans. They demonstrate in their pieces, which are found enclosed in glass in the ‘lobby’ area of the factory, how they utilized the materials that they had and turned them into pieces of pottery that have with stood the test of time. In the Yuan and Mind dynasties, Chinese porcelain makers combined porcelain stone with kaolin however kaolin was extremely hard to work with. It was then that Chinese porcelain makers discovered that if you ground kaolin and then added water a malleable substance was created with could be kneaded into porcelain stone. This could easily be formed into pots and vases on the potter’s wheel. During the drying processes a knife is used to slice excess porcelain from the pottery which accounts for the delicate thinness of Chinese Porcelain. To my surprise once we went into the factory the very same techniques were being used. Centuries later modern Chinese artisans were paying homage to their centuries old mentors by building pottery in the same fashion. The twist is that the new pottery produced in these factories are brightly colored by hand with a small paint brush. The craftsmanship is perfect and the people here, who are obviously under paid and living in less then optimal condition, absolutely enjoy what they do. They take pride in every piece they make and are more then willing to share their skills with you. Our tour guide informed us that many of the kilns in use at the factory were hundreds of years old. Apparently once a large kiln is established it can be used for hundreds of years. The art of preparing clay and the process which follows is a craft which is passed down again and again from generation to generation. This is why visitors can find subtle differences in glazing processes as well as firing processes throughout the villages and cities in China. Porcelain is more then just a container used for tea or food stuff. The art displayed on pieces of Chinese Porcelain reveal the entire history of the Chinese people. From myths to fears, historic battles and even home comings. Pottery and porcelain pieces exported during these periods are an excellent source of research materials on the history of China’s communications, trade, and economic relations with other countries. My trip to city of Yi-ing was memorable for several reasons but most importantly I was reminded of the value of craft within a society. I will never forget the feel of Chinese Porcelain on my fingertips. The knowledge that something that delicate could last for centuries was truly symbolic of the struggle and political strife that the Chinese people have dealt with since it’s birth. Art is not merely for decoration, entertainment, or even functionality. It serves a much more important purpose. Through art we can see the evolution and development of not just a country like China but the spirit and souls of the people who make their homes and keep their families in those counties.

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